Selling Frozen Peas 101


Nick recently discovered an old favorite of ours was on YouTube (above). No, not a favorite TV show or movie, but a short recording of outtakes of Orson Welles recording commercials for a frozen food company. I’ve had a cassette recording of this for many years, and its good listening from time to time to help keep us agency types grounded.

It’s only four minutes, but it gives a great microcosm of an agency/talent relationship gone wrong. I don’t know the back story on this actual relationship, I doubt few people do. But there are some easy conclusions to be drawn, and lessons to be learned.

  1. If you’re going to hire someone famous as your spokesperson, bring them into the circle. They may not want to be in the circle, but at least make that effort. Educate them about your product; even bring them into the creative process – again, if they wish. Then, when you step into the recording studio you’re all working toward the same goal.
  2. Make sure they are at ease with the copy. This goes back to involving them in the process. Don’t put words or phrases in their mouth that they are not comfortable saying. My guess is that Mr. Welles saw this copy for the first time when he walked into the recording studio.
  3. Don’t over-coach. Would you try to tell Mickey Mantle how to hit? If you’ve done your job on points 1 & 2 this is a no-brainer. You’ve hired Orson Welles. Put him in the little room, close the door, and turn on the microphone. And, if you offer any direction at all, you certainly don’t start telling Orson Welles how to inflect. This is where they truly showed the “depths of their ignorance.”
  4. And, last but not least, remember it’s advertising – not Shakespeare. These guys looked upon their words as sacred poetry – which is why Mr. Welles so heartlessly reminds them that they’re talking about frozen food.

Follow that strategy and you might just get Orson to stay in the studio for the entire session. Was Orson Welles a bit temperamental and perhaps difficult to work with? Undoubtedly – but they knew that going in. This is great listening. Take four minutes and hear for yourself a creative director’s worst nightmare.

Labels: Advertising, Creativity, Traditional Media

Connect:0 Comments | | February 8, 2009

The Pie Looks Different Now

At NADA today, Dean and I attended a session about media planning with special emphasis on new media and the current economic downturn. One of my favorite metaphors for how to look at this particular issue is to think of your total spend as a pie, with various media making up each piece.

There used to be just a few slices of pie – print ads, radio, TV, and maybe outdoor – but over the years the media has multiplied. We’ve added different pieces – direct marketing, online, social media – and further sliced our pie.
Given the current economic climate, businesses small and large can no longer slice their pie as many different ways. And the pieces that we have need to work for us. As we look at this, we need to pare down our pieces of media pie to only those few things that work for us. In order to do this, however, we need to remember the classic Peter Drucker quote: “You can’t manage what you don’t measure.”

Does your media pie look different? Consider that each week the average adult spends about 4 hours reading the newspaper and/or magazines, watches TV for 16 hours, listens to 19 hours of radio and spends nearly 33 hours online.

Your pie should look different now.

Labels: Economic Downturn, Traditional Media

Connect:0 Comments | | January 24, 2009

Why Newspapers Are in Trouble

paperFrom my snow drift. I am not a subscriber but get many freebies even though I read it all online and have for some time. I wonder how much longer this strategy will hold up? Overall the free sample marketing strategy is still alive and well but for newspapers the internet killed it for good. Because now it’s all free online.
Seth really said it best earlier today.

Labels: Marketing, Strategy, Traditional Media

Connect:1 Comment | | January 14, 2009